Call for Submissions: Eurynome

Eurynome is now open for submissions!  Check them out below!

 

Eurynome publishes speculative fiction on a rolling basis. To ensure that everyone is on the same page, the following is a broad definition that Eurynome embraces:

Speculative fiction is an umbrella term encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror fiction, weird fiction, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature.

Clearly, speculative fiction includes a wide array of genres with varying gradients of fantasy and realism. We invite stories that make the reader think, not cringe. Please send your excessively gory or sexually explicit stories to a different magazine. However, we do like humor.

Eurynome gives special attention to pieces that retell old stories or myths for a modern audience, though a well-written fiction piece outside of those measures can find a home here. Please keep in mind that Eurynome is a digital publication, and therefore your submitted work should be convenient for on-screen reading. Don’t let unwieldy paragraphs damage the flow of your story.

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We do not accept simultaneous submissions or reprints, and please only submit one story at a time. If your finished story can already be found online (even on your personal blog) then unfortunately we do not wish to publish it. At this time, we are unable to monetarily compensate authors, but we hope to change that in the future.

If your story is accepted, congratulations! We will let you know when to expect your piece online. If we offer to publish your piece, Eurynome claims first world electronic rights. This means we reserve the right to be the first place to feature the story online, though you may submit it for subsequent reprints to other digital and physical publications that wish to accept it. You also retain your audio rights to the story.

If you receive a rejection, it may (but not always) include feedback on how the piece fell short. In some cases, we may invite you to resubmit after evaluating our feedback. Otherwise, however, please do not submit the same story again.

Before your story is published, we reserve the right to make minor (mostly cosmetic) edits. Any large edits will be sent to the author before publication for their feedback.

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FLASH FICTION

Eurynome accepts flash fiction, which is defined as a fiction piece between 500 and 1,000 words.

If you wish to submit a piece to the magazine, please send an e-mail to submissions@euryno.me, and attach a .rtf or .doc file containing your story in manuscript format. For the subject line, write:

[FLASH FICTION SUBMISSION: author name – story title]

In the body of the email, please include a short (2-3 sentences) biography about yourself, including a link to your website and/or your Twitter handle. Please also include an approximate word count, and tell us how you found our journal.

The average response time for flash fiction is under a week, but is usually quicker. If you do not receive a response after one month, please send a follow-up e-mail. Stories are read and responded to in the order they are received.

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SHORT STORIES

A short story is defined as a fiction piece between 1,001 and 7,500 words.

If you wish to submit a piece to the magazine, please send an e-mail to submissions@euryno.me, and attach a .rtf or .doc file containing your story in manuscript format. For the subject line, write:

[SHORT STORY SUBMISSION: author name – story title]

In the body of the email, please include a short (2-3 sentences) biography about yourself, including a link to your website and/or your Twitter handle. Please also include an approximate word count, and tell us how you found our journal.

The average response time for short stories is about a week, but is usually quicker. If you do not receive a response after one month, please send a follow-up e-mail. Stories are read and responded to in the order they are received.

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ARTWORK

Eurynome is regularly seeking artwork to complement our story selections. To inquire about providing an illustration for the magazine, please send the art you would like to submit, a short (2-3 sentences) biography, and a link to your portfolio (if applicable) tosubmissions@euryno.me. We accept artists of all skill levels, experience, and styles. At this time, we are unable to monetarily compensate artists. We do not commission artists, but instead accept their previously-created artwork. Artists retain their rights to submitted artwork.

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Call for Submissions: Permafrost’s First Annual Book Prize in Fiction

 

 

Permafrost Magazine, the farthest north literary journal for writing and the arts, located at 64° 50′ N (198 miles from the Arctic Circle), is now accepting submissions for its First Annual Book Prize.  Check it out!

Also, take a look at the latest issue, which is out now!

We are proud to announce that we are now accepting submissions for the 1st Annual Permafrost Book Prize in Fiction!

Click here to submit!

 

Prizes:

The winner will win $1,000 and publication of their manuscript through the University of Alaska Press.

Eligibility:

We welcome manuscripts from all living writers the world over who are writing in English. Writers can be both published and unpublished. However, we will not consider manuscripts that have already been published elsewhere or have been self-published. We do accept simultaneous submissions, but please notify us immediately via email if your manuscript is accepted elsewhere. No past or present student or paid employee is eligible to enter the Book Prize Contest.

When to Submit

We are currently accepting submissions; the deadline ends on December 1, 2014.

Manuscript

Manuscripts must be a minimum of 150 pages long. All entries will be read anonymously. Please include two cover pages: the first listing only the title of the manuscript, the second including the author’s name, mailing address, telephone number, and email address. An acknowledgements page may be included also if the author wishes.

We accept only electronic submissions through our Submittable page.

Entry Fee

We ask a $20 entry fee to submit your manuscript to the contest.

Notifications

A winner should be selected by May 1, 2015. Results will be emailed shortly thereafter.

Judge

Our judge for the contest will be Benjamin Percy, whose works include Red Moon, Refresh, Refresh, The Wilding, and The Language of Elk.

Questions?

Please address inquiries to the editors at editor@permafrostmag.com.

Form and Format in Fiction: Les Guérillères by Monique Wittig

Les Guérillères by Monique Wittig is an otherworldly story of an apocalyptic war between men and women. Wittig writes in French, from a feminist perspective. In an attempt to subvert traditional ‘patriarchal’ forms of literature, Wittig uses a variety of interesting techniques to tell a different kind of story.

Structurally, it is difficult to call this work of fiction a novel in the traditional sense. There is no one character that the book follows. It could be argued that the book tells the story of “they” (humankind? womankind?) but there is not one personal main character. Occasionally, specific people are mentioned, but each is only mentioned for a few sentences before the writing reverts back to the more generalized story. Additionally, the book does not set up a linear narrative. Instead, Wittig writes Les Guérillères in a series of vignettes. These vignettes serve to give glimpses into the everyday life and the war of this possibly futuristic society. Some of the vignettes tell stories of specific people living in the society, some of them tell of the goddesses that the society worship, some tell of the collective history (which seems to point to a time much like present day) and some tell of specific points in the war between the sexes. It is not abundantly clear that the vignettes are even in a relatively chronological order, which raises some interesting questions. For example, is the seemingly utopian (all-female?) society at the beginning of the book the result of the war, or is it what creates the battle?

In terms of format, Wittig makes sure that this book looks different than other books from the get-go. The first thing the reader is confronted with in this book is a poem in all capital letters. As the book progresses, the vignettes are dispersed between lists of names which are also in all capital letters. The effect of these lists is like that of a war memorial, name after name of those lost in the fight. Less frequently, but perhaps more strikingly, the vignettes hold giant circles between them, whole pages on which the only thing that is written is a circle. There are quite a few vignettes that tell the significance of the circle, which is the symbol of the vulva. This importance of the symbolism of the female anatomy then comes up again and again in retellings of our society’s stories which are reworked to make the circle symbolism paramount.

The strength of this book, for me, is in this formatting. The ways in which Wittig subverts the reader’s expectations asks important questions. We know what the language and the literature of tradition looks like. But what does the language and the literature of the oppressed look like? Are there heroes or heroines? Does it undermine the traditional chronological order? Are symbols important enough to include? How do you tell the story of a group of people? Are there stories that are better told in non-traditional formats? What happens when these formats become traditional?

I can’t help but feel that something is lost in the translation of this book. There seems to be something very important happening in the pronouns being used and those pronouns leave the reader with a plethora of questions. Who are “they?” Who is included in this “they” and who is not? Are we as readers supposed to identify with what “they” say? Are we supposed to be critical of what “they” say? The answers to these questions make for very different readings of the book. If “they” are an inclusive group which tells the truth and speaks for all people, then we might take what they say at face value. However, if we question what “they” say (as we might when we say “some people say…”) then the society in this book might be read as a feminist dystopia, a matriarchal society that is ridden with the same problems as present society only with the roles reversed.

I think where this book falls short is in the heavy-handedness of the story itself. Perhaps I am idealistic, but I like to believe that it will not take an apocalyptic war to create an equal and free society. The combination of this war of mythic proportions and the unusual format come together in a way that feels pedantic. Though the book makes the reader think and ask questions, it also feels like it is leading the reader to specific thoughts and questions instead of allowing the reader to come to her own conclusions. This book feels like a hybrid between theory and literature, a theoretical discussion made material on the page.

*This post is part of a series on the craft of writing called Reading for Writers.  This series examines a variety of authors to ascertain the choices they’ve made in their writing and the effects of those choices so that we as writers can make better decisions in our own writing.

Call for Submissions: Cake & Grapes

Another new(to me)! magazine that’s open for submissions: Cake & Grapes!  With a name like that, how can you not submit?  Check them out.

We at Cake & Grapes believe that art is anyone’s game. 

That’s why we’re opening our doors to you: to give you a chance. Flash fiction, short fiction, epic poetry, photographs, sestinas, sketches, films, paintings, sculptures, gifs, papier mache hats – we want them all. 

Show us what you’re made of, and we’ll show the world.

GUIDELINES

We don’t want to hamper your creativity; we just need to lay down some basic rules.

Prose
Short fiction, flash fiction, and non-fiction are all accepted. All prose submissions must be less than 2,500 words in length. Exceptions will only be made for essays that are relevant and irreverent.

Poetry
If humorous, epic poems will be tolerated. Otherwise, it’s fair game.

Artwork
As this is an online publication, we will only be able to accept photographs or scans of your artwork. Please be sure that your work is well-lit. We will consider original comics, sketches, sculptures, paintings, graphic designs, gifs, – you name it – for publication.

Video
All video submissions must be less than 10 minutes in length. We’re not the FCC, so no worries there.

Feel like you fit within our loose rubric?

SUBMIT!